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History
“Bede’s World” is a museum dedicated to the life and times of Bede and to celebrating Anglo-Saxon cultural achievements, including a working example of a reconstructed Anglo-Saxon farm called Gyrwe (pronounced ‘Yeerweh’) after the Old English name for Jarrow, showing crop and animal husbandry with full-size reconstructions of 3 timber buildings from Northumbria based on the evidence of archaeological work. The farm animals are specially bred to simulate the type of animal seen in Anglo-Saxon England; cattle are smaller and sheep more varied. Ancient strains of wheat and vegetables such as those which Bede and his brothers in the monastery might have eaten are grown. There are also interactive museum displays, with a permanent ‘Age of Bede’ exhibition and a collection of Anglo-Saxon to post Medieval objects (mainly excavated from the monastic site of St Paul’s, Jarrow), the historic and listed Jarrow Hall and a herb garden.

Bede, also Saint Bede, the Venerable Bede, or (from Latin) Beda (pronounced (672/673–May 26, 735), was a monk at the Northumbrian monastery of Saint Peter at Monkwearmouth, today part of Sunderland, England, and of its companion monastery, Saint Paul’s, in modern Jarrow (see Wearmouth-Jarrow), both in the Kingdom of Northumbria.
He is well known as an author and scholar, and his most famous work, Historia ecclesiastica gentis Anglorum (The Ecclesiastical History of the English People) gained him the title “The Father of English History”. In 1899, Bede was made a Doctor of the Church by Leo XIII, a position of theological significance; he is the only native of Great Britain to achieve this designation

Bede’s works show that he commanded all the learning of his time. It is believed that his library at Wearmouth-Jarrow had between 300-500 books, making it one of the largest in England. It is clear that Biscop made strenuous efforts to collect books during his extensive travels.

Bede wrote scientific, historical and theological works, reflecting the range of his writings from music and metrics to exegetical Scripture commentaries. He knew patristic literature, as well as Pliny the Elder, Virgil, Lucretius, Ovid, Horace and other classical writers. He knew some Greek and Hebrew. His Latin is generally clear, but his Biblical commentaries are more technical.

Bede’s scriptural commentaries employed the allegorical method of interpretation and his history includes accounts of miracles, which to modern historians has seemed at odds with his critical approach to the materials in his history. Modern studies have shown the important role such concepts played in the world-view of Early Medieval scholars.
He dedicated his work on the Apocalypse and the De Temporum Ratione to the successor of Ceolfrid as abbot, Hwaetbert.

Modern historians have completed many studies of Bede’s works. His life and work were celebrated a series of annual lectures at Jarrow between 1935 and 1973, the 1200 year anniversary of his death and 1300 year anniversary of his birth, respectively. The historian Walter Goffart says of Bede that he “holds a privileged and unrivaled place among first historians of Christian Europe”.

Although Bede is mainly studied as a historian now, in his time his works on grammar, chronology, and biblical studies were as important as his historical and hagiographical works.

Read more: Bede’s World, official website
Read more on Wikipedia

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History

The Bowes Museum is a hidden treasure, a jewel in the heart of beautiful Teesdale. The magnificent building stands proud in the historic market town of Barnard Castle housing internationally significant collections of fine and decorative arts.

The Bowes Museum was purpose-built as a public art gallery for John Bowes, the illegitimate son of John Bowes the 10th Earl of Strathmore, and Kinghorne, and his wife Joséphine Benoîte, Countess of Montalbo, who both died before it opened in 1892.

It was designed by the French architect Jules Pellechet in a grand French style within landscaped gardens. The building was described by Nikolaus Pevsner as “… big bold and incongruous, looking exactly like the town hall of a major provincial town in France. In scale it is just as gloriously inappropriate for the town to which it belongs (and which it gives some international fame) as in style”.

The museum contains an El Greco, paintings by Francisco Goya, Canaletto, Jean-Honoré Fragonard, François Boucher and a sizable collection of decorative art, ceramics, textiles, tapestries, clocks and costumes, as well as older items from local history. A great attraction is the 18th century Silver Swan automaton, which periodically preens itself, looks round and appears to catch and swallow a fish.

Read more: Bowes Museum, official website
Read more: Wikipedia

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Information

BALTIC Centre for Contemporary Art is an international centre for contemporary art located on the south bank of the River Tyne alongside the Gateshead Millennium Bridge in Gateshead, North East England, United Kingdom. It presents a constantly changing programme of exhibitions and events, and is a world leader in the presentation, commissioning and communication of contemporary visual art.

Dominic Williams of Ellis Williams Architects won an architectural competition in the mid 1990s to convert the 1950s Baltic Flour Mill into a centre for art. After ten years in the planning and a capital investment of £50m, including £33.4m from the Arts Council Lottery Fund, BALTIC opened to the public at midnight on Saturday 13 July 2002.

The inaugural exhibition, B.OPEN, featured work by Chris Burden, Carsten Holler, Julian Opie, Jaume Plensa and Jane & Louise Wilson and attracted over 35,000 visitors in the first week. The founding director, Sune Nordgren was appointed in 1997 and was integral in Baltic’s pre-launch period, he oversaw the building of the gallery and witnessed the first one millionth visitor through the doors.

BALTIC has in almost seven years welcomed more than 3 million visitors, with an additional 1 million virtually in the last year alone through its websites, webcasts, podcasts and Library and Archive facility. BALTIC has exhibited nearly 200 artists from 24 countries, including Anish Kapoor, Sam Taylor-Wood, Antony Gormley, Ed and Nancy Kienholz and Spencer Tunick. BALTIC has commissioned over 30 new works, enabling it to support established and emerging artists.

In the summer of 2007 BALTIC celebrated its fifth birthday with the opening of Quay, a new Learning and Community Centre within the gallery. This new resource, created following a donation of £500,000 by Rootstein Hopkins Foundation enables BALTIC to widen its education remit to work both on and off site, encouraging more people, young and old, to interact and experience contemporary art ‘up close and personal’. Each year BALTIC provides formal education for over 10,000 school children, during nearly 400 sessions ranging from art clubs, photography courses, artist talks and artist-led workshops.

What’s on at BALTIC

Above information sourced from Wikipedia. Read the whole article for BALTIC

Go to BALTIC official website

Six: Rooftop Dining

Six is the  stunning new rooftop restaurant at BALTIC Centre for Contemporary Art combining breathtaking panoramic views with great food, great service and a great experience. Brought to you by Fresh Element, Executive chef Richard Sim will be preparing his trademark style of food best described as British modern cuisine featuring the very best ingredients simply cooked and served in a relaxed and friendly setting. Fresh Element brings to the restaurant their values of good, wholesome food, regionally sourced at a reasonable price with outstanding service in this spectacular venue.

Book a table at Six – here

SIX Restaurant
BALTIC Centre for Contemporary Art
Gateshead Quays
South Shore Road
Gateshead
NE8 3BA

Bookings

email eat@sixbaltic.com or call 0191 4404948 (phones open from 10am daily).

Hours
Monday to Saturday:  12pm – 9:30pm*

Sundays: 12pm – 4pm*

*The restaurant doesn’t close at 9:30pm (or 4pm Sundays), this is just the latest time they take a table reservation! 

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HMS Trincomalee
HMS Trincomalee is a Royal Navy Leda-class sailing frigate built shortly following the end of the Napoleonic Wars. She was ordered on 30 October 1812 and was finally launched on 12 October 1817. After serving as a hulk, she was restored to her original appearance, and now serves as a museum ship.

The Trincomalee is one of two surviving frigates of this era (her sister HMS Unicorn is now a museum ship in Dundee). She was built in Bombay, India in 1817 by the Wadia’s in teak, due to oak shortages in Britain as a result of shipbuilding drives for the Napoleonic Wars. The ship was named Trincomalee after an action in 1782 between the Royal and French navies off the Ceylon (Sri Lanka) port of that name.

Trincomalee finished her Royal Navy service as a training ship, but was ‘reduced to reserve’ in 1895 and sold for scrap 2 years later. However she was then purchased by George Wheatley Cobb, restored, and renamed Foudroyant in honour of HMS Foudroyant, his earlier ship that had been wrecked in 1897. She was used in conjunction with HMS Implacable as an accommodation ship, a training ship, and a holiday ship based in Falmouth and remained in service until 1991 when she was again restored and renamed back to Trincomalee. Until his death in 1929, the Falmouth-based painter Henry Scott Tuke used the ship and its trainees as subject matter.
The Trincomalee holds the distinction of being the oldest British warship still afloat as HMS Victory, although 52 years her senior, is in dry dock.

Now listed as part of the National Historic Fleet, Core Collection, following her recent restoration the Trincomalee has become the centrepiece of the historic dockyard museum in Hartlepool, United Kingdom, known as ‘Hartlepool’s Maritime Experience’, which also includes PS Wingfield Castle.

Read more: Hartlepool’s Maritime Experience, official website
Read more: HMS Trincomalee, official website
The above article is courtesy of Wikipedia: Read More

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